2024 WAEC LITERATURE IN ENGLISH: 2024 WAEC GCE 2nd series Literature I, II Answers (5593)

2020 WAEC GCE 2nd series Literature III (DRAMA) Answers PIN: 1716

Pls trace it from your objective thanks
Literature-Obj
1. Plot
2. An opera
3. Theme
4. A pastoral
5. Joyful
6. Oxymoron
7. Pun
8. Alliteration
9. Pathetic fallacy
10. Anger.

11. Pasonification
12. Pasonification
13. Metonymy
14. Epilogue
15. a satire
16. an epic
17. Time and place
18. Angry
19. Apostrophe
20. Conflict

41 cassio
42 address to cassio
43 Disappointment
44 Challenge Otheuo
45 Lago and Roderigo
46 Roderigo
47 At a meeting
48 His friend
49 Cassio
50 His daughter has been abducted


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Welcome to official 2024 Literature in English WAEC answer page. We provide 2024 Literature in English WAEC Questions and Answers on Essay, Theory, OBJ midnight before the exam, this is verified & correct WAEC Lit Expo. WAEC Literature in English Questions and Answers 2024. WAEC Lit Expo for Theory & Objective (OBJ) PDF: verified & correct expo Solved Solutions, 2024 WAEC GCE 2nd series Literature I, II Answers. 2024 WAEC EXAM Literature in English Questions and Answers

(2)
On his "Good Morning, Ghana" (GMO) Show, Sylv Pohoone Ms. Komame to discuss the street cluild phenomenon on a certain moming Ms. Kiamame runs a non vemmental organization which had done "a study of the phenomenon in Acer a few months before" (p. 107). Onpromptings from Sylv Po, Ms Kamme lists some of the actors contributing to the emergente of the situation as poverty, absentee fathers, ignorance, distorted beliefs and perceptions, AS well as sheer irresponsibility and misplaced priorities. She, however, admits that there are very poor parents who do not allow their children to take to the streets. Ms. Kamame expounds on the issues of absentee fathers to include not just those who run away or refuse to assume their responsibilities but also those whose perception of fatherhood
is limited to providing food, shelter and school fees. The consequence in either case is the overloading of the mother with the burden of two. When the burden becomes unbearable, she unloads i.e. she hands off the child. become tomorrow's adults without respect for human life. with "Hallo! Hallo!" (p. 112) Sylv Po tries to make light of the hitch but the caller will not give She also implicates ignorance and attitude in the cause of the phenomenon. Many women, like Foto's mother, continue to have more babies despite financial incapacity to take care of the ones they already have. They are also ignorant of the opportunities available to avoid unwanted pregnancies and protection against STI's. These women tend to prove their womanhood by the number of children they have. Girls are also pressurized to prove their womanhood regardless of whether they have the means to care for a child or not. Childless married women are frowned upon more than single unmarried mothers while a single girl above sixteen is called "man- woman" (p. 109) by the people. To Sylv Po's question about why, besides poverty, fathers do not care for their children, the lady notes that such men do so after abandoning their wives to marry other women and having new babies. At this point, a voice barges into the programme with 'Hallo! Hallo!' (p. 110) Someone wants to get on to the programme before the lines are opened. The producer promptly turns off the sound of the telephone so that the programme can continue undisturbed. As the signal button light of the phone keeps flashing, showing the persistence of the caller, the producer signals Sylv Po to round of the discussion with Ms. Kamame so that the caller can be given a special consideration Ms. Kamame illustrates men's irresponsibility with the case of a church elder who abandons his wife and six children to marry a young woman who is a new member of his church after claiming to have seen a vision from God revealing that the six children are not his, and that the young lady is the new wife for him. In response to some other questions from the show presenter, the woman says her organization is directing awareness to women and girls who are more likely to neglect their children and make street children out of them" (p. 111). She also points out that the phenomenon is more prevalent in cities than villages due to the contrast in social realities of the two settings. Finally, she advises people with comfortable lives to show concern in the phenomenon because its sustenance has implications for the entire society; that the street children of today would The presenter has barely finished thanking his guest when the persistent caller barges in again with "Hallo! Hallo! (P. 112) sylv po tries to make light of the hitch but the caller will not give a breathing space as he repeats his "Hallo!, Hallo!" Sylv eventually responds with "Hello!" and requests the caller to tell his or her name and where the call is coming from. She dismisses it as unimportant and is allowed to go ahead with his contribution. In substandard English, the caller rants about the station not heeding his information about the dead girl who die behind de blue Kiosk” (p. 113). He says the girl's name is Fati, and that "she dies because she does something bad” (p. 113). She abandoned her older husband in the village to come and marry a younger man in the city. When asked if she knew the said Fati, she dismisses it as unimportant. Asked about where she works and what she does, she also dismisses same as unimportant. Frustrated, Sylv Po asks the caller to tell what is important. The woman rambles on about seeing the dead girl, being certain it was Fati and concluding that her face was so mutilated that the mother could not have recognized the girl as her daughter. Po's attempt to challenge her ability to recognize a face the biological mother could not have identified suddenly invites a bang! The caller drops the line. Po announces her drop of the call but assures his audience that the last has not been heard of the case.
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(8)
Diego: One of Manfred’s servants. After Isabella escapes the castle and the servants are instructed to find her, Diego is shocked to find a giant foot and leg in armor in the gallery.

Jaquez: Another of Manfred’s servants searching for Isabella throughout the castle. Though he did not see the giant leg in armor himself, he was with Diego when the latter encountered it and recounts the tale to Manfred.

In other words diego and jaquez the two of the servants in the castle working for prince manfred. They are the ones who claims to have seen giant in the house and plead with their master to have the castle exorcize because it is enchanted.


 

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